Off Shore Muse

RCMH .. NYC

More than 300 million people have come to the Music Hall to enjoy shows, movies, concerts and special events. There is no place like it to see a show or stage a show. Everything about it is larger than life!

Radio City Music Hall is the largest indoor theatre in the world. Its marquee is a full city-block long. Its auditorium measures 160 feet from back to stage and the ceiling reaches a height of 84 feet. The walls and ceiling are formed by a series of sweeping arches that define a splendid and immense curving space. Choral staircases rise up the sides toward the back wall. Actors can enter there to bring live action right into the house. There are no columns to obstruct views. Three shallow mezzanines provide comfortable seating without looming over the orchestra section below. The result is that every seat in Radio City Music Hall is a good seat!

The Great Stage is framed by a huge proscenium arch that measures 60 feet high and 100 feet wide. The stage is considered by technical experts to be the most perfectly equipped in the world. It is comprised of three sections mounted on hydraulic-powered elevators. They make it possible to create dynamic sets and achieve spectacular effects in staging. A fourth elevator raises and lowers the entire orchestra. With the perimeter of the elevators is a turntable that can be used for quick scene changes and special stage effects.

The shimmering gold stage curtain is the largest in the world. For more than sixty-five years audiences have thrilled to the sound of the "Mighty Wurlitzer" organ, which was built especially for the theatre. Its pipes, which range in size from a few inches to 32 feet are housed in eleven separate rooms. The Hall contains more than 25,000 lightis and features four-color stage lighting. And what's a show without special effects? Original mechanisms stil is use today make it possible to send up fountains of water and bring down torrents of rain. Fog and clouds are created by a mechanical system that draws steam directly from a Con Edision generating plant nearby.

Radio City quickly became the favorite first-run theatre for moviemakers and moviegoers alike. Radio City's huge screen and widely spaced seats make it the ideal movie house. Since 1933 more than 700 movies have opened and include the original King Kong. National Velvet, the film that secured Elizabeth Taylor's hold on the silver screen. White Christmas; Mame and Breakfast at Tiffany's. To Kill an Mockingbird, starring former Radio City Music Hall usher, Gregory Peck; Mary Poppins; 101 Dalmatians and The Lion King.

When the stock market crashed in 1929, John D. Rockefeller, Jr. held a $91 million, 24-year lease on a piece of midtown Manhattan property known as "the speakeasy belt". Plans to clean up the neighborhood by building a new Metropolitan Opera House on the site were dashed by the failing economy and the business outlook was dim. Nevertheless, Rockefeller made a bold decision that would leave a lasting impat on the city's architectural and cultural landscape! He decided to build an entire complex of buildings on the property with buildings so superior that they would attract commercial tenants even in a depressed city flooded with vacant rental space. The project would express the highest ideals of architecture and design and stand as a symbol of optimism and hope.

The search for a commercial partner led to the Radio Corporation of America, a young company whose NBC radio programs were attracting huge audiences and whose RKO studios were producing and distributing popular motion pictures that offered welcome diversion in hard times. Rockefeller's financial power and RCA's media might were joined by the unusual talends of S.L."Roxy" Rothafel. Roxy had earned a reputation as a theatrical genius by employing an innovative combination of vaudeville, movies and razzle-dazzle decor to revive struggling theatres across America. Together, Rockefeller, RCA and Roxy realized a fantastic dream .. a theatre unlike any in the world and the first completed project within the complex that RCA head, David Sarnoff dubbed "Radio City". Radio City Music Hall was to be a palace for the people. A place of beauty offering high-quality entertainment at prices ordinary people could afford. It was intended to entertain and amuse, but also to elevate and inspire.

Donald Deskey wasn't the most celebrated interior designer to enter the competition for design of the Music Hall's interior spaces. He was relatively unknown, but from the moment of opening night when visitors passed through the lobby and entered the Grand Foyer, his popular legacy was secured. In his design for the Hall, Deskey chose elegance over excess, grandeur above glitz. He designed more than thirty separate places, including eight lounges and smoking rooms each with its own motif. Deskey himself designed furniture and carpets and he coordinated the design of railings, balustrades, signage and decorative details to complement the theatre's interior spaces. He used a brilliant combination of precious materials (marble and gold foil) and industrial materials (Bakelite, permatex, aluminum and cork). The strength of his achievement is reflected in how well the theatre has maintained its character over time. It was a remarkable example of contemporary design in its day and it still has the power to take one's breath away, today. It remains elegant and sophisticated.