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Saturday, October 10, 2026

 





E. T. Lufkin Board & Log Rule Mtg.


The history of the Lufkin folding ruler began in 1869 when Edward Taylor Lufkin founded the E. T. Lufkin Board and Log Rule Manufacturing Company in Cleveland, Ohio.  The firm transitioned into the Lufkin Rule Company in 1885. It pioneered measuring equipment with the iconic wooden folding rule being patented in 1919.

The company first made specialized log rules to measure timber for the logging industry.  Lufkin produced rules of superior quality, using only the best materials.  The company flourished, gaining a substantial following of loyal customers.  The company soon moved to Saginaw, Michigan in 1895 which at the time was the center of the logging industry.


The Lufkin Rule Company 

Saginaw, Michigan

Circa 1918


The folding rule remained the dominant measuring tool for tradespeople of all types until the 1940s when Lufkin, along with several other manufacturers made the retractable tape measure a reality.


Lufkin Tape Measure



Vintage Lufkin No. 372 Boxwood Brass Folding 12 Inch Rule with Caliper


In 1951, Lufkin decided to locate operations near the best source of raw materials for their products so they purchased the Anson Stick Company in North Anson, Maine.  The hard maple harvested in Maine's northern forests was considered superior and by the mid-1960s, Lufkin had consolidated all wooden rule manufacturing operations there.


Long Ago and Far Away

The history of hardwood rule manufacturing at Sknowhegan Wooden Rule Co. Inc. began long before 1999.  It all started in 1869 with E. T. Lufkin. In 1967, Cooper Industries purchased the Lufkin Company and added it to the Cooper Hand Tools Division.  Cooper sold folding wooden rules as mass market items though viewed the original E T. Lufkin product line as the industry's standard.  By 1998, Cooper had moved their main facility to Apex, North Carolina. Eventually, Cooper sold the Anson plant and discontinued Lufkin's original lines.


The Meisner Family Era Begins

The Meisner family purchased the Anson plant from Cooper Industries in 1999.  Included in the sale was all of the equipment and the process instructions required to produce the discontinued Lufkin roducts.  On the day the sale was finalized and in the weeks tht followed, a number of distributors and industrial customers contacted the Meisner family.  They asked them to continue manufacturing the Lufkin rules.  Demand appeared small, but consistent.  The Meisner family decided to gradually rebuild rule manufacturing and the Sknowhegan Wooden Rule Co. Inc. was formed to promote and market these products.  Since 1999 they have been able to re-employ some of the skilled local workers who had spent generations crafting these products. They have completely rebuilt and refined the rule manufacturing process and have not relaxed any of the standards that made E. T. Lufkin's orginal rules so desirable.  The maple is still the finest quality produced in Maine's western mountains with each piece still hand selected and inspected.  The fittings and fasteners are still all solid brass and the markings are engraved into the wood (not printed on it) and blackened by hand to last a lifetime. 
Each rule is carefully finished to bring out the beauty and personality of the wood.  

The Meisner family think E. T. Lufkin would be proud. 



















Friday, October 9, 2026




Rowan & Martin's Laugh In


 "Joke Wall"

The "Joke Wall" backboard on the sketch comedy show Rowan & Martin's Laugh-In is one of the most iconic set pieces in television history. Behind the Scenes, the back of the iconic Joke Wall was an unglamorous, strictly functional wood scaffolding structure built at NBC Burbank Studio 3.


To television viewers at home, the front of the wall was a brightly colored, psychedelic, mod-styled masterpiece. It featured a grid of hexagonal painted wooden doors and windows.  During the grand finale of each episode, cast regulars like Goldie Hawn, Lily Tomlin and Ruth Buzzi along with high-profile celebrity guests would rapidly swing open the doors to pop their heads through and trade quick, rapid-fire one-liners, jokes and running gags.



Goldie was 22 years old when she first appeared on Rowan and Martin's Laugh-In by opening one of the iconic doors on the Joke Wall. 





The raw wooden backboard was covered in handwritten notes, jokes and signatures from many celebrities such as Sammy Davis, Jr. and Jack Benny plus the entire Laugh-In main cast.

A segment of this original signed Joke Wall and its historical backboard is preserved and displayed as a permanent television artifact at the National Comedy Center in Jamestown, New York. 




Gladys and Tyrone
portrayed by 
Ruth Buzzi and Arte Johnson 












 
















 













































 



Wednesday, October 7, 2026

 

The Back Bay Area


Boston's Back Bay transformed from a tidal saltwater marsh into one of America's best-preserved 19th-century urban residential and architectural districts. Gravel and soil were hauled via steam trains 24 hours a day, six days a week from leveled hills in Needham, Massachusetts.  The massive filling operation created roughly 460 acres of new land, completing the main Back Bay area by 1882 and the Fens designed by Frederick Law Olmsted by 1900.  The Back Bay Fens is a 100-acre park and is part of the famous Emerald Necklace park system. Olmsted created the park in 1878 to fix severe tidal flooding and drainage issues in the area. He combined landscape architecture with sanitary engineering and turned a saltwater marsh into a scenic tidal pool with wooded banks. The area became a freshwater lagoon in 1910 after the Charles River was dammed.


Charlesgate Bridge at the entrance to the Back Bay Fens


Architect Arthur Gilman laid out the Back Bay neighborhood on a strict, orderly grid inspired by 19th-century Parisian boulevard renovations. Five main avenues run lengthwise in the area:  Beacon Street, Marborough Street, Commonwealth Avenue with its famous wide pedestrian mall, Newbury Street and Boylston Street. Early restrictions mandated brick and masonry materials, height limits and deep setbacks which produced the iconic uniform rows of Victorian brownstones. 

Post-Civil War growth brought iconic civic structures to Copley Square including H. H. Richardson's Trinity Church (1877) and Charles Follen McKim's Boston Public Library (1895)

Commercial activity expanded onto Boylston and Newbury streets in the late 19th and early 20th centuries, followed by mid-20th-century skyscrapers like the Prudential Center. The Prudential Center is a destination by and for the city that inspired it.  A place that lives firmly at the intersection of history and innovation.  Where legacy is honored and forward thinking finds a home. The Prudential Center is an enduring part of Boston .. riveting, ready and above all, real. 









Tuesday, October 6, 2026

 


Things found in American Homes in the 1950s


Step inside one of the many American homes in the 1950s and you'd find a household caught somewhere between old-fashioned  routines and a shiny new consumer future.  Radios and rotary phones were still everyday essentials, but televisions were rapidly taking over living rooms while kitchens filled with colorful appliances and gadgets promising to make housework easier.

The postwars also brought plenty of new materials, conveniences and foods into the home.  Tupperware offered an alternative to heavy glass containers, frozen TV dinners turned supper into something you could pull from the freezer.  Pastel refrigerators and Pyrex bowls added plenty of color to the kitchen. Not every family had every item, but these household staples offer a glimpse of what everyday life looked like in an American home during the 1950s. 




At the beginning of the 1950s, a television was still something of a novelty.  By the end of the decade, it had transformed the American living room.  Unlike today's ultra-thin screens, early TVs were hefty pieces of furniture, often housed inside substantial wood cabinets and topped with rabbit-ear antennas.  With typically just one set per household, deciding what to watch was very much a family affair!




Television may have been the exciting newcomer, but radio wasn't going anywhere just yet.  At the beginning of the decade, radios were already fixtures in nearly every American household, delivering everything from music and baseball games to news and dramas.  Some families had large wooden console models in the living room, while smaller radios could be found in kitchens and bedrooms. 




There was no checking your phone from bed in the 1950s.  The household telephone usually lived in one permanent location often in the hallway or kitchen and everyone had to share it.  Calling someone meant turning the rotary dial one number at a time and waiting for it to spin back.  In some communities, famlies even shared a telephone line with their neighbors through a party-line system.  Eventually, private lines became available.




Few pieces of furniture scream "1950s kitchen" quite like a chrome dinette set.  These tables paired shiny tubular metal legs with easy-to-clean Formica tops often in cheerful shades of red, yellow or aqua.  Add matching vinyl chairs and a speckled or boomerang-patterned tabletop and you had a dining set perfectly suited to the colorful suburban kitchens of the postwar years. 




By the 1950s, the refrigerator had become an essential part of the American kitchen and manufacturers were finding plenty of ways to make families want an upgrade.  Newer models offered more freezer space for the growing selection of frozen foods along with colorful finishes that went well beyond basic white.  Rounded doors and chunky chrome handles gave these refrigerators a distinctly mid-century look. 




Plastic food-storage containers don't seem particularly revoluntionary today, but Tupperware was a genuine postwar phenomenon.  Its lightweight, flexible containers offered families an alternative to glass storage, complete with airtight lids famous for their distinctive "burp".  Tupperware parties also became a social fixture during the 1950s, allowing women to demonstrate and sell the colorful containers from their homes. 




Open a 1950s kitchen cabinet and there was a good chance you'd find some colorful Pyrex inside.  the decade brought shades of Lime and Flamingo Pink, along with now-iconic patterns such as Pink Daisy, Snowflake, Butterprint and Gooseberry.  Nesting mixing bowls were particularly practical since they could be used to prepare food, serve it and then stack neatly away when the cooking was done.  




The promise of the modern 1950s kitchen was simple:  Let electricity do more of the work.  The Sunbeam Mixmaster fit right into that vision.  The substantial countertop appliance with its metal beaters and mixing bowl could tackle everything from cake batter and whipped cream to mashed potatoes.  It was the kind of shiny new kitchen gadget that made everyday cooking feel decidedly more modern.  





Long before pod machines occupied kitchen counters that dispense single cup servings on kitchen counters, there was the percolator.  Electric models became increasingly common as kitchens filled with labor-saving appliances though plenty of families still used stovetop versions.  One of the most recognizable features was the little glass knob on top, where you could watch the coffee bubbling away as it brewed.  







Breakfast was getting an electric upgrade, too.  Shiny chrome pop-up toasters turned an everyday kitchen task into something almost automatic.  Drop in a couple slices of white bread, push the lever and wait for breakfast to spring back up.  By the late 1950s, countertop appliances were increasingly being marketed as part of the streamlined, modern kitchen. 




Few products captured the changing 1950s household quite like the TV dinner.  Swanson introduced its version in 1954, combining a complete frozen meal with a divided aluminum tray that could go straight into the oven.  Meat, vegetables and even dessert each got their own little compartment.  The name also conveniently tied the meal to another booming obsession: television.  





Laundry rooms were going through a technological transition.  Some families had upgraded to automatic washing machines, while others were still feeding wet clothes through the rollers of a wringer washer.  Either way, these machines tended to be large, practical appliances tucked into a basement or utility area.  A far cry from today's sleek matching washer-and-dryer sets. 




Owning a washing machine didn't necessarily mean owning a dryer.  For many families, freshly washed sheets, shirts and towels still went straight outside to the backyard clothesline and left do dry in the sun.  When the weather didn't cooperate, an indoor drying rack might have to take over.  




Mending clothes and sewing at home were still common skills so a sewing machine was a practical piece of household equipment.  Many were built into heavy wooden cabinets that looked almost like ordinary furniture when closed.  Open the cabinet, lift the machine into position, grab a paper pattern and the table transformed into a home sewing station. 



 

Before today's roller shades and cordless blinds, mid-century windows were often covered with horizontal Venetian blinds.  Metal versions were especially common and could be paired with curtains or boldly patterned drapes.  Anyone who grew up with them might remember the long cords, rattling slats and frustrating attempt to get every blind tilted at exactly the right angle. 





White wasn't the only option for bathroom fixtures in the 1950s.  Pink, pale blue, yellow and green could cover everything from the bathtub and toilet to the sink and tile.  Matching fixture suites created bathrooms that were unapologetically colorful and a surviving pink bathroom today can instantly make a home feel like a mid-century time capsule. 






















Sunday, October 4, 2026

 

The View Master


In the 1954 Sears Christmas Catalog something called a "View Master" among its pages. You would slip a round disc into the device then hold it towards the light.  When you looked into it you saw a scenic picture that looked real. You might have seen a waterfall that looked like it was right in front of you!  Then you would pull down a lever and another picture would rotate into view.  Those were the days!

The View Master was a stereoscopic  device that displayed 3-D transparent color images from circular cardboard reels.  It was invented by piano repairman, organ maker and avid photographer William B. Gruber and Harold Graves in Portland, Oregon.  Introduced at the 1939 New York World's Fair as a high-tech alternative to traditional scenic postcards.

Production survived and expanded during WWII when the U.S. military bought hundreds of thousands of viewers and reels for aircraft and artillery identification training.  They adopted the View Master because its 3-D perception offered a realistic way to train troops in visual recognition. 

Today, View Masters are worth anywhere from $10 to $50 for common models though rare editions and scarce reels can sell for $150 to over $500.

The View Master to a kid was magical!  




Saturday, October 3, 2026



 

From Sea to Shining Sea


Route 20 passes through Massachusetts, New York, Pennsylvania, Ohio, Indiana, Illinois, Iowa, Nebraska, Wyoming, Montana, Idaho and Oregon.



U.S. Route 20 is the longest road in the United States, stretching 3,365 miles from Boston, Massachusetts to Newport, Oregon.



Portions of the highway originally began as trails used by Native Americans for travel and trade across the landscape. Stagecoach lines connected growing settlements. Increased use by early automobiles in the 1920s led to the paving of dirt and gravel segments.   Formally commissioned as part of the U.S. Numbered Highway System on November 11, 1926, the original route ran from Boston to Yellowstone National Park. The western terminus was extended all the way to Oregon, meeting U.S. Route 101 on the west coast.  After shifting infrastructure designations over the decades, it officially became the longest continuous highway in the country in 1963 confirmed by the U.S. Department of Transportation.

Serving as a primary east-west artery before modern interstate highways, the route drove westward expansion in 1940 before reaching its current length in 1960. After WWII, families used the highway for leisure travel and cross-country summer vacations.  


Traffic declined following the construction of parallel superhighways llike the New York State Thruway and the Interstate system, leaving Route 20 preserved as a time capsule of classic roadside Americana. Groups like the Route 20 Association of New York State now work to preserve and promote the historic corridor and its scenic byway segments. 

This Rotary Gas Garden is a prime example of a time capsule location on Route 20 located between Westfield, New York and Ripley, New York.



Rotary Gas Garden
Route 20
Proprietor, Ernest W. Burdick

..then..




..now..



Aerial View of Route 20 and Old Route 20




The Iconic Forsythe Bridge Looking East 
Circa 1950

"20 mph on Route 20"


Roadtrips that follow the cross-country highways of yesteryear mostly take place in people's imagination, not on the blacktop. However, there is one historic highway where it is still possible to get in touch with the glory days of the American road trip.  And that road trip is Route 20.  For most of its length, Route 20 runs roughly parallel to I-90 which connects Boston and Seattle .. a distance of 3,100 miles. 

Sidenote:  Ernest W. Burdick was my father.